![]() ![]() 2 does appear briefly in Once Upon A Time In Hollywood, as Perla Haney-Jardine plays the girl that sells Cliff Booth the acid soaked joint. “And not the Bride and Bebe are on the run and just the idea of being able to cast Uma and cast her daughter Maya in the thing would be fucking exciting,” Tarantino said. “I think it’s just revisiting the characters twenty years later and just imagining the Bride and her daughter, Bebe, having 20 years of peace, and then that peace is shattered,” he explained. Actress Maya Hawke (Fear Street, Little Women, Once Upon At Time In Hollywood) having recently worked with Tarantino isn’t hard to imagine that would have been a good fit. Quentin Tarantino has brought up Kill Bill 3 again while speaking with Joe Rogan to promote his new novelization of Once Upon A Time In Hollywood (via The Playlist), mentioning that he would hire Uma Thurman’s real daughter to play the grown-up version of B.B. getting their own dose of revenge twisted upon them. Vinyl soundtrack pressed by Maverick Records.There are heap of projects that Quentin Tarantino talks-up during interviews that will likely never see the light of day, one good example is his Vega Brothers film that was his white whale project that he would talk about that ultimately couldn’t be made because Michael Madsen and John Travolta aged-out of those roles decades ago.Īnother one he consistently talks about is the fabled Kill Bill 3, set 20 years after the events of Kill Bill Vol.1 and Kill Bill Vol.2 that sees Beatrix Kiddo aka The Bride and her daughter B.B. With the requisite movie dialogue featuring Thurman and Carradine slipped in between songs, Kill Bill is the sprawling collection of hip musical references that Tarantino fans have come to expect. Fellow kung fu enthusiast RZA of the Wu Tang Clan offers "Ode to Oren Ishii," which nods to the plot amid a bed of swelling orchestration, and Tomoyasu Hotei's "Battle Without Honor or Humanity" is a thunderous collision of brassy horns that captures the intensity of the fight sequences.Įlsewhere, Tarantino flavors the soundtrack with other nostalgic musical preferences, including Nancy Sinatra's cover of Sonny Bono's "Bang Bang (My Baby Shot Me Down)" and Dixieland trumpeter Al Hirt's instrumental "Green Hornet," which incorporates more than a little bit of Rimsky-Korsakov's "Flight of the Bumblebee." Other tasty quirks include Santa Esmeralda's sweeping, disco-flamenco take on "Don't Let Me Be Misunderstood," rockabilly legend Charlie Feathers's chugging "That Certain Female," and pan flute master Zamfir's ethereal instrumental "The Lonely Shepherd." Kill Bill tells the tale of a betrayed assassin (Uma Thurman) who seeks vengeance against her former co-workers (Lucy Liu, Vivica Fox, Daryl Hannah, Michael Madsen) and, ultimately, her boss, Bill (David Carradine). ![]() The soundtrack follows a subtly Far East theme for this homage to the martial arts flicks Tarantino adores. Not surprisingly, the songs heard in Tarantino's fourth film, Kill Bill, are as eclectic as anything found on Pulp Fiction or Reservoir Dogs. Quentin Tarantino has earned a reputation as a director for whom a quirky soundtrack is as essential as an unconventional script. ![]()
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